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'Fusion Flight for Cosmic Souls' by Minaz Jantz |
In the 1980’s I studied a year of Interior Design and for the first time I was introduced to the measurement phi, pi, Fibonacci sequence, sacred geometry, and the Golden Mean, was the basics to learning and understanding the bones of designing interiors.
I got itchy to have fun and play with geometry and abstract art while getting away from representational art for a break in my regular routine. The pursuit of art making is about pushing boundaries and taking risks but it usually starts with some kind of contemplation through feelings and reflections, being inspired by viewing other artists work and my day to day life. I research continually and like to study the old MASTERS and today’s new masters.
Some dynamic 20th-century abstract artists rely on geometry’s magical, dynamic structures to create illusions with visual rhythm in the paint. Opt art in the 1960's became mainstream used in advertising, fashion, interior design and the new HIP art style of such artists including famous Victor Vasarely. Math meets art when M.C. Escher takes on his drafting skills to create some of the most mass-produced Opt art today. He was considered not worthy of being called an artist in his time but now he is appreciated for his famous twisted buildings that are illusions and seem to go on forever.
Today's era, we have computers to create such perfected visual illusions such as computer artist, Ghee Beom Kim from Australia, who has some vibrant computer artworks with insightful explanations.
Here is a link to Jim Denevan whose earthly geometry uses the earth surface as his canvas. Sand and Ice is etched by rakes, sticks, vehicles, shovels, etc. to make for beautiful geometry art that will be wiped out by mother-natures elements but not before being photographed and videoed by the aerial view of an aeroplane or helicopter.
Following are two videos I enjoyed on YouTube that explain as simply as possible sacred geometry which is the heart of everything in the universe.
In the winter months, I got busy doing the exercises in the textbook ‘Universal Patterns’ by Martha Boles & Rochelle Newman (you can view some results of the exercises’ on 2 of my past BLOG entries).
After the exercises, I created a series titled ‘Geo-Espresso Abstract’. Geo is Greek meaning earth and measure; Espresso means to express in measured amounts, individually, using a system to keep order and to build relatively quickly; Abstract represents art using lines, colors, and shapes that are usually a nonrepresentational style of the 20th century.
Today's era, we have computers to create such perfected visual illusions such as computer artist, Ghee Beom Kim from Australia, who has some vibrant computer artworks with insightful explanations.
Here is a link to Jim Denevan whose earthly geometry uses the earth surface as his canvas. Sand and Ice is etched by rakes, sticks, vehicles, shovels, etc. to make for beautiful geometry art that will be wiped out by mother-natures elements but not before being photographed and videoed by the aerial view of an aeroplane or helicopter.
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An example of using Fibonacci sequence given the original pentagon shape copyright...minaz-jantz.icopyright.com |
In the winter months, I got busy doing the exercises in the textbook ‘Universal Patterns’ by Martha Boles & Rochelle Newman (you can view some results of the exercises’ on 2 of my past BLOG entries).
After the exercises, I created a series titled ‘Geo-Espresso Abstract’. Geo is Greek meaning earth and measure; Espresso means to express in measured amounts, individually, using a system to keep order and to build relatively quickly; Abstract represents art using lines, colors, and shapes that are usually a nonrepresentational style of the 20th century.
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'Tsunami Manifestation', Bristol paper, pencil and Copic Markers by Minaz Jantz To view entire series go HERE |
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'Theological Transformations', Bristol paper, pencil, Copic Markers By Minaz Jantz To view, the entire series go HERE |
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'Euphoric Shadows Transcending', Bristol paper, pencil, Copic Markers By Minaz Jantz To view entire series go HERE |
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' Oracle Utterance in Silence', Bristol paper, pencil Copic Markers By Minaz Jantz To view entire series go HERE |
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'Fast Finish at the Beginning', Bristol paper, pencil, Copic Markers By Minaz Jantz To view entire series go HERE |
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'Fibonacci Fish in the Deep Blue Sea', Bristol paper, pencil, Copic markers By Minaz Jantz To view entire series go HERE |
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'Fusion Flight for Cosmic Souls', Bristol paper, pencil, Copic Markers By Minaz Jantz To view entire series go HERE |
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'Dog Blanket in Stitches', Bristol paper, pencil Copic Marker By Minaz Jantz To view entire series go HERE |
Watch out when you open the newly refilled pen to see if the ink has overfilled the nib looking obviously very wet also filling the cap…too much ink can splat on you and paper. This has happened so I have a spare scrap paper to unload the excess. I clean the funnel tips immediately after use by running rubbing alcohol into the tip over a sink until it flows clear while also wiping with the paper towel to clean thoroughly so you can use another colour with them. I use the rubbing alcohol for cleaning my hands too as it can get messy or you can wear gloves.
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'Moroccan Sunset', Bristol paper, pencil, Copic Markers By Minaz Jantz To view entire series go HERE |
The Copic inks themselves can be treated in application much like watercolour with its transparent fluidity and vibrant hues. The refill inks can be used and treated like paint with any type of tool such as brushes, sponges and or the Copic Ciao pens. I layer the colours on top of each other to get a glazing action much like watercolour and for colour mixing, changing the overall tone and or creating texture. It’s important to have very light colours to use for glazing over the more intense hues.
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'Nascent Fertility', Bristol paper, pencil, Copic Marker By Minaz Jantz To view entire series go HERE |
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'Spring into Paisley', Bristol paper, pencil, Copic Markers By Minaz Jantz To view entire series go HERE |
I work out my design using my drafting tools, and eraser to take away the basic grid lines eventually I can see the pattern developing, then darken the lines I like with softer pencil, plan colour themes, build up textures, etc. until I get something that looks interesting to me.
Sometimes I work it all out in this stage while other times I work out the details once traced onto the Bristol board. Once I get most of the design drawn out on my see-through paper, I will transfer the image with graphite tracing paper making sure both papers are lined up with the
NOTE: The graphite tracing paper will leave marks on your final paper and can not erase so I trace lightly and only trace out the outlines, leaving textural details out for final drawing as the graphite tracing paper will show up under some of the lighter tones of inks.
Working on the final drawing with the inks, I follow my guideline ‘free hand’ meaning I no longer use the ruler to draw the lines. WHY??? I find that it has an organic vibe to the drawing and doesn’t feel like its computer designed.
My past Russian art teacher expressed vehemently, with her intense Russian accent, “Computers should design rooms for only computers, people should draw freehand for rooms that contain people!!!” …this was back in the 80’s when CAD designer software was just being developed and the drawings all looked sterile…she hated it and I agreed. Funny, now they hire artists to draw out the computer drawings because the average Joe is not responsive to these PERFECT drawings. Thankfully I learned to do it all by hand.
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'Kaleidoscope Tango', Bristol paper, pencil, Copic Markers By Minaz Jantz To view entire series go HERE |
My past Russian art teacher expressed vehemently, with her intense Russian accent, “Computers should design rooms for only computers, people should draw freehand for rooms that contain people!!!” …this was back in the 80’s when CAD designer software was just being developed and the drawings all looked sterile…she hated it and I agreed. Funny, now they hire artists to draw out the computer drawings because the average Joe is not responsive to these PERFECT drawings. Thankfully I learned to do it all by hand.
BBC 'The Code'…
7 comments :
It's funny this is your first post. I had a few weeks ago try some of my own geo art. I saw the pin on pinterest it's where you draw a squiggly line down the middle of the page. Than you draw wavy lines vertically than fill them in with lines. BUT after all of that you color it in and it looks very cool.
I tried to find the link but NO DICE! I would LOVE to see what you put together will you be posting it up?
I just did some of this medium the other day. Have dyslexia so it was a CHALLENGE. I dare NOT show it!!!
I can't wait to see what you come up with! I signed up for your e-mail so hopefully I won't miss it!!!!!
Jasmine
I just did some of this medium the other day. Have dyslexia so it was a CHALLENGE. I dare NOT show it!!!
I can't wait to see what you come up with! I signed up for your e-mail so hopefully I won't miss it!!!!!
Jasmine
Answering your first comment about drawing squiggly lines then dividing the page up..think this is termed Zentangles or something to that word. I have in Pinterest some samples..much more freedom for expression with out the techy tools and knowledge to create the above drawings. I have some scratch board that I will try the ZENTANGLE idea for fun. Thanx for stopping by and signing up to my artgirlgallery e-notes!
Sacred Geometry is not easy to do at all but well worth the study if your a self motivated person who likes to solve puzzles. I actually do have dyslexia and maybe it helps me to understand the other dimensions that geometry challenges. It certainly helps with my other painting styles and a better sense of keen observation in ALL things on this earth plane...it is esoteric in nature, for sure...very trippy stuff once you get into it..your into music writing and playing??..to learn geometry is to see it in all creation..ok will stop there before I ramble toooooo much more, ENJOY!
My dyslexia does help me as much as it hinders me. I am TOTALLY inept at ALL things Mathematical or Numeric. But have made up for it with self deprecating humor and blather!
I kind of have a weird out of body experience when I write or make art. I don't know where it comes from and when I am done I look back and think.... OH where do I come up with this stuff???
I am always Amazed.
Do you have that same experience or are you among the lucky to have consistent methodical working habit?
With your Dyslexia do you have a problem with writing or math or both? I feel very lucky to be dyslexic but if you had asked me that in school you would have gotten a different answer! like
AHAHAHAHAHAHA
Very lady like (I know)
Let me reflect on dyslexia... I was better at teaching myself, quietly in a room without others around. MATH & any thing that required memory was BAD for me. If the teacher was creative and passionate I did OK. As an adult I learned some techniques for studying and memorizing that worked and even ended up with a Business Math Science Degree holding top grades but still can not read a clock, bus schedule, calendar, count change, or anything in a list format, recall phone numbers unless its by patterns..I could go on but found out there are two types of math, I am super at conceptual concepts...stop here. Yes, I love the creative vortex my brain goes into when creating, no concept of time and not feeling like I am on planet earth but some where floating... channeling the true spirit of being. No I am not methodical but developed those skills over the years as it is a necessary evil to produce more than once. Teaching craft, and dance also helped me to be able to relate to all types of learning and adjust my very creative way of communicating to help others understand. Speaking of creative writing..I wrote and illustrated my version of what happened to Cinderella, which I call Spinderella Soap...www.spinderellasoap.com I used the rhythmic sounds of Dr. Suess and invented words to tell Spinderella's story..so yes, dyslexia for me has enhanced the creative way that is unique, expressive and the ability to problem solve. BUT at times very embarrassing when I show up somewhere weeks early, too late, or can not rely on clocks so I live on instinct..so being smart in some ways and completely dumb in other ways, keeps me humble!!!!..super to chat with you!
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